A Summer of Shakespeare's Romances
Imagine a summer's day, a refreshing drink in hand, and a unique theatrical experience unfolding beneath the leafy canopy of Thomas' College in Richmond. That's the enchanting setting for the Orange Tree Theatre's outdoor production, a clever fusion of Shakespeare's 'Love's Labour's Lost' and 'Much Ado About Nothing'.
The Creative Vision
Director Tom Littler has crafted a bold and ambitious venture, transforming these two romantic comedies into a seamless narrative arc spanning the years leading up to and following the Second World War. It's a bold move, and one that adds depth and continuity to these well-loved plays.
A Tale of Two Plays
In 'Love's Labour's Lost', set in the summer of 1939, we witness the Prince of Navarre and his companions make a vow to abstain from women, only to have their resolve tested by the arrival of the Princess of France and her ladies. The women, particularly Leonata (Sarah Gobran) and Beatrice (Phoebe Pryce), deftly expose the men's intellectual pretensions. James Sheldon's Benedick is a charming foil, adding a layer of foolishness to the proceedings.
The set, designed by Neil Irish, is simple yet effective, making use of the college's natural surroundings. However, the light-hearted tone occasionally veers into the overly saccharine, especially during the musical numbers.
'Much Ado About Nothing' picks up the story post-war, with the set now in a state of disrepair, reflecting the mood of the play. As the evening progresses, the lighting creates an intimate and atmospheric setting, perfectly capturing the darker and more boozy tone of this half.
The cast, who play multiple roles, seem more at ease in this section. Chirag Benedict Lobo, who was somewhat over-the-top as Sir Nathaniel, finds his stride as Claudio, bringing a compelling energy to the role. The slapstick moments, especially with Benedick and Beatrice, add a much-needed dynamism to the second half.
Thematic Exploration
What makes this production particularly fascinating is the way it explores the underlying themes of ego, self-deception, and the barriers language can create between people. By presenting these plays as a continuous story across a world-changing event like the Second World War, these themes take on a deeper, more poignant meaning. It's a clever interpretation that adds a layer of complexity to Shakespeare's already rich texts.
A Convincing Sequel?
While the theory that 'Much Ado About Nothing' is a sequel to 'Love's Labour's Lost' may be doubtful, this production makes a compelling case for it. The seamless transition between the plays, the shared cast, and the exploration of common themes create a satisfying and thought-provoking theatrical experience. It's a unique take on these classic plays, and one that leaves a lasting impression.
So, if you're looking for a summer afternoon escape, this outdoor Shakespearean adventure might just be the perfect choice.
